When Melody Grace McCartney was six years old, she and her parents witnessed an act of violence so brutal that it changed their lives forever. The federal government lured them into the Witness Protection Program with the promise of safety, and they went gratefully. But the program took Melody’s name, her home, her innocence, and, ultimately, her family. She’s been May Adams, Karen Smith, Anne Johnson, and countless others–everyone but the one person she longs to be: herself. So when the feds spirit her off to begin yet another new life in another town, she’s stunned when a man confronts her and calls her by her real name.
The premise of the book is intriguing; person in witness protection program decides her only chance at true freedom & security is paradoxically to allow her enemy to become her protector. Provides for a “keeps you turning the page” sort of tension; is the enemy to be trusted or not? The central character’s description of what her life has been like in the witness protection program is at times heartbreaking, it’s easy to buy into her decision to find safety in the enemy after reading of her lifetime of loneliness and oblivion.
But then came the bad part : The author teases you throughout a novel and there is no payoff. I wanted to see a big and highly hinted at payoff to the central characters relationship, and it doesn’t happen. The author wraps up the story details well – all logical and satisfying, except one that would have added a perfect poignant fullfillment to Melody’s life. As the author ends it, she still has been cheated.
I really wish the ending was more satisfying, as once a book ends that’s what you remember ot that’s what keeps you caming back to the book… Did I like the book? Yes… but Loved the book? No…Borrow it from somewhere and give it a try…don’t buy at first..
David Cristofano has earned degrees in Government & Politics and Computer Science from the University of Maryland at College Park and has worked for different branches of the Federal Government for over a decade. His short works have been published by Like Water Burning and McSweeneys. He currently works in the Washington, D.C. area where he lives with his wife, son and daughter. THE GIRL SHE USED TO BE is his first novel.
From the first sentence of the story, the narrator asks you to take part in the action. Why do you suppose David Cristofano decided to tell this story in the first person from the point of view of a woman? Who would have more at stake in witness protection, a man, woman, or child?
Early in the novel, Melody appears conflicted in having feelings for both Sean and Jonathan. What is driving her need for affection? When does she realize she has made a decision? What solidifies this decision?
At various points in the novel, the reader is given a glimpse into the previous six identities Melody has had. Which identity acts as a turning point? What event occurred that changed the trajectory of her life?
The roles of good and evil are repeatedly swapped in Melody’s life. Do both sides—the Feds and the Mafia—possess both good and evil, or are they really polar opposites of one another? How does Melody influence your view of each side?
Though romantically inexperienced, Melody longs to be noticed
more or less vital to the Justice Department today? WITSEC for both the protectors and the protected. From each of their points of view, how is the system not working? How does it work as intended? How is WITSECMelody and Sean share a few conversations that expose the failings of
Jonathan tries to distinguish himself from his Mafia ties in several ways. How has he successfully achieved this? In what ways is he a typical Mafioso?
Melody is scarred by the explicit violence she witnesses at age six. Repeatedly, she attempts to rid Jonathan of his reactionary viciousness to seemingly topical problems. Though later in the story, she finds security in his violent behavior. What changes her mind? Would you react the same way? Why or why not?
Throughout the entire novel, the importance of identity is explored. How is the life Melody has led different from that of a foster child? Of a prisoner? Of an individual living under communist rule? How are they the same?
How do the tangible things in Melody’s story—the food, clothes, cars, hotels—reflect her happiness, security and satisfaction? Are these things metaphorical or incidental? Would her story be different if things were reversed? Why or why not?
Being in WITSEC for twenty years has had a negative impact on Melody. In what ways has it made her stronger?
What is the significance of the chapter titles? How do they differ? What is the special significance of the final chapter’s title?
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Thanks Valerie @ Hachett for the book and the giveaway.